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Bonney
Im Chambre séparée - Viennese operetta arias
Barbara Bonney; Ronald Schneider
Decca 473 4732

Release date June 2003

I never grow weary of Barbara Bonney’s beautiful singing. Not only is she blessed with a prodigious natural talent (which, in my churlish youth, made me green with envy), but her musicianship brings fresh delights with every new recording. As she approaches her half-century her vocal technique grows ever more brilliant. On this disc she sings as though born and bred in Vienna at the end of the 19th century; glamorous, flirtatious, languid, devoted to giving and receiving pleasure. There are just a few old favourites such as Mein Herr Marquis from Die Fledermaus which she performs with minx-like guile and a charming rendition of Lehar’s Vilia-Lied. Less familiar is music by Carl Zeller (whose day job was as a civil servant in the Ministry of Culture), including the lovely little waltz Sei nicht bös (Don’t be cross) from Der Obersteiger. As the eponymous heroine in Léhar’s Giuditta (the Viennese Carmen) Miss Bonney glows with desire as she sings Meine Lippen, die küssen so heiss. She has chosen to sing with piano accompaniment throughout, provided by Ronald Schneider in true Viennese style. Her 1998 album of Strauss lieder also featured piano rather than orchestral accompaniment, and this approach works well here – there is a lovely feeling of intimacy. I found this disc a very entertaining and warming musical experience, and after repeated listening, I am still chuckling with pleasure and humming the tunes on the way home. Bravo!

Reviewed by Kate Grue